Archive
January 2013

New typeface: U8

We are very pleased to present the latest addition to our growing collection of retail typefaces: U8, a new geometric sans serif, with seven weights, designed by Anton Koovit.

Anton started U8 as a research project about the Berlin subway system signage and particularly the U8 line that connects the northern borough of Reinickendorf with Neukölln in the south of the city, through the Alexanderplatz junction. His goals were to restore a piece of history, research a link between the DIN and Bauhaus, and translate the lettering of individual handcrafted station signage into a formal typeface. Apart from the regular weight’s upper and lower case, glyphs such as numbers, and other weights, had to be created by the designer, allowing for his contemporary interpretation. The result is an early modernist typeface, with wider proportions than most common geometric sans, a strong character, and a clean design. Initially intended for display purposes, U8 has proven to work well in text sizes. The typeface comes with a full character set for western and eastern european languages, and a number of OpenType features such as ligatures, smaller figures for text, tabular figures and fractions. Italic styles will also be released in a few months.


Custom typeface: Derzeit

In december 2011, Manuel Schibli, art director of Derzeit, an independent daily magazine for the Berlin Fashion Week, approached Yassin Baggar to collaborate on a new set of fonts for the redesign of the January issues, a very short deadline. His intention was to change the look of the magazine, and give it a harder and more mature appearance. The new typography breaks away from the rounder and “fashion-esque” aspect of the previous fonts, with a more radical approach. Hard edges break round shapes in unusual places. At the detriment of legibility, the letters are intentionally eccentric, even incoherent, serving the main purpose of the typeface: to convey the identity of the magazine. Not everything changed from the previous design: the letter z, a very distinct element of the previous logotype, remained very special, making the typeface and the magazine directly recognizable, whether one looks at the cover or spreads. The Derzeit typeface consists of 6 styles: a regular which is mainly used in small sizes for the events programme, a medium style for leads, and four condensed styles that are used from the smallest to the biggest sizes.

  

© 2017 Fatype, Yassin Baggar and Anton Koovit